RIP Posts Here
-
CaboWabo
- Site Admin
- Posts: 10258
- Joined: Tue Dec 10, 2002 4:05 pm
- Location: The Adult Table
- Contact:
http://www.nytimes.com/2008/04/06/movie ... ref=slogin
Charlton Heston dead at 84.
Supposedly you can now pry the gun from his hands.
Charlton Heston dead at 84.
Supposedly you can now pry the gun from his hands.
Dear Life Cereal, Where do you get off? Part of a balanced breakfast and delicious? Who do you think you are? By now you may have guessed I'm speaking ironically and have nothing but good things to say about what you do. Life cereal do not change a thing.
-
BilboBaggins
- bitHobbit
- Posts: 1447
- Joined: Sun Jun 08, 2003 7:35 am
- Location: Bag End, Hobbiton, Shire, Middle Earth
- Contact:
-
steelwoolghandi
- bitPimp
- Posts: 1696
- Joined: Fri Jun 11, 2004 11:53 am
- Location: RIGHT BEHIND YOU!!
- Contact:
-
BilboBaggins
- bitHobbit
- Posts: 1447
- Joined: Sun Jun 08, 2003 7:35 am
- Location: Bag End, Hobbiton, Shire, Middle Earth
- Contact:
Monk Lost his Shrink.
Stanley Kamel Found Dead
LOS ANGELES, Calif. -- Stanley Kamel, well known for playing Dr. Charles Kroger on the hit USA series "Monk," has died, Access Hollywood has learned.
Kamel was found dead in his Hollywood Hills home on Tuesday. He was 65.
Access Hollywood has learned Kamel died of a heart attack.
Kamel has appeared in numerous TV roles over the past three decades, including "The West Wing," "Six Feet Under," "Melrose Place," "The Golden Girls," "Days of Our Lives" and "Murder One."
Pop culture fans will remember Kamel from his eight-episode arc in 1995 on "Beverly Hills, 90210," as Tony Marchette, the father of Rebecca Gayheart's character.
A rep for the USA network, which airs the Emmy-winning "Monk," released the following statement to Access Hollywood:
"USA is deeply saddened by the news of Stanley Kamel's passing. Stanley was an amazingly talented and extremely kind man, and an important member of the USA family. He will be sorely missed."
Stanley Kamel Found Dead
LOS ANGELES, Calif. -- Stanley Kamel, well known for playing Dr. Charles Kroger on the hit USA series "Monk," has died, Access Hollywood has learned.
Kamel was found dead in his Hollywood Hills home on Tuesday. He was 65.
Access Hollywood has learned Kamel died of a heart attack.
Kamel has appeared in numerous TV roles over the past three decades, including "The West Wing," "Six Feet Under," "Melrose Place," "The Golden Girls," "Days of Our Lives" and "Murder One."
Pop culture fans will remember Kamel from his eight-episode arc in 1995 on "Beverly Hills, 90210," as Tony Marchette, the father of Rebecca Gayheart's character.
A rep for the USA network, which airs the Emmy-winning "Monk," released the following statement to Access Hollywood:
"USA is deeply saddened by the news of Stanley Kamel's passing. Stanley was an amazingly talented and extremely kind man, and an important member of the USA family. He will be sorely missed."
Sitting at my workbench in my comfortable little Hobbit hole.
-
BilboBaggins
- bitHobbit
- Posts: 1447
- Joined: Sun Jun 08, 2003 7:35 am
- Location: Bag End, Hobbiton, Shire, Middle Earth
- Contact:
E Street Band member Danny Federici dies at 58
NEW YORK (AP) - Danny Federici, the longtime keyboard player for Bruce Springsteen whose stylish work helped define the E Street Band's sound on hits from "Hungry Heart" through "The Rising," died Thursday. He was 58.
Federici, who had battled melanoma for three years, died at Memorial Sloan-Kettering Cancer Center in New York. News of his death was posted late Thursday on Springsteen's official Web site.
He last performed with Springsteen and the band last month, appearing during portions of a March 20 show in Indianapolis.
"Danny and I worked together for 40 years - he was the most wonderfully fluid keyboard player and a pure natural musician. I loved him very much ... we grew up together," Springsteen said in a statement posted on his Web site.
Springsteen concerts scheduled for Friday in Fort Lauderdale, Fla., and Saturday in Orlando were postponed.
Federici was born in Flemington, N.J., a long car ride from the Jersey shore haunts where he first met kindred musical spirit Springsteen in the late 1960s. The pair often jammed at the Upstage Club in Asbury Park, N.J., a now-defunct after-hours club that hosted the best musicians in the state.
It was Federici, along with original E Street Band drummer Vini Lopez, who first invited Springsteen to join their band.
By 1969, the self-effacing Federici - often introduced in concert by Springsteen as "Phantom Dan" - was playing with the Boss in a band called Child. Over the years, Federici joined his friend in acclaimed shore bands Steel Mill, Dr. Zoom and the Sonic Boom and the Bruce Springsteen Band.
Federici became a stalwart in the E Street Band as Springsteen rocketed from the boardwalk to international stardom. Springsteen split from the E Streeters in the late '80s, but they reunited for a hugely successful tour in 1999.
"Bruce has been supportive throughout my life," Federici said in a recent interview with Backstreets magazine. "I've had my ups and downs, and I've certainly given him a run for his money, and he's always been there for me."
Federici played accordion on the wistful "4th Of July, Asbury Park (Sandy)" from Springsteen's second album, and his organ solo was a highlight of Springsteen's first top 10 hit, "Hungry Heart." His organ coda on the 9/11-inspired Springsteen song "You're Missing" provided one of the more heart-wrenching moments on "The Rising" in 2002.
In a band with larger-than-life characters such as saxophonist Clarence Clemons and bandana-wrapped guitarist "Little" Steven Van Zandt, Federici was content to play in his familiar position to the side of the stage. But his playing was as vital to Springsteen's live show as any instrument in the band.
Federici released a pair of solo albums that veered from the E Street sound and into soft jazz. Bandmates Nils Lofgren on guitar and Garry Tallent on bass joined Federici on his 1997 debut, "Flemington." In 2005, Federici released its follow-up, "Out of a Dream."
Federici had taken a leave of absence during the band's tour in November 2007 to pursue treatment for melanoma, and was temporarily replaced by veteran musician Charles Giordano.
At the time, Springsteen described Federici as "one of the pillars of our sound and has played beside me as a great friend for more than 40 years. We all eagerly await his healthy and speedy return."
Besides his work with Springsteen, Federici played on albums by an impressive roster of other artists: Van Zandt, Joan Armatrading, Graham Parker, Gary U.S. Bonds and Garland Jeffreys.
NEW YORK (AP) - Danny Federici, the longtime keyboard player for Bruce Springsteen whose stylish work helped define the E Street Band's sound on hits from "Hungry Heart" through "The Rising," died Thursday. He was 58.
Federici, who had battled melanoma for three years, died at Memorial Sloan-Kettering Cancer Center in New York. News of his death was posted late Thursday on Springsteen's official Web site.
He last performed with Springsteen and the band last month, appearing during portions of a March 20 show in Indianapolis.
"Danny and I worked together for 40 years - he was the most wonderfully fluid keyboard player and a pure natural musician. I loved him very much ... we grew up together," Springsteen said in a statement posted on his Web site.
Springsteen concerts scheduled for Friday in Fort Lauderdale, Fla., and Saturday in Orlando were postponed.
Federici was born in Flemington, N.J., a long car ride from the Jersey shore haunts where he first met kindred musical spirit Springsteen in the late 1960s. The pair often jammed at the Upstage Club in Asbury Park, N.J., a now-defunct after-hours club that hosted the best musicians in the state.
It was Federici, along with original E Street Band drummer Vini Lopez, who first invited Springsteen to join their band.
By 1969, the self-effacing Federici - often introduced in concert by Springsteen as "Phantom Dan" - was playing with the Boss in a band called Child. Over the years, Federici joined his friend in acclaimed shore bands Steel Mill, Dr. Zoom and the Sonic Boom and the Bruce Springsteen Band.
Federici became a stalwart in the E Street Band as Springsteen rocketed from the boardwalk to international stardom. Springsteen split from the E Streeters in the late '80s, but they reunited for a hugely successful tour in 1999.
"Bruce has been supportive throughout my life," Federici said in a recent interview with Backstreets magazine. "I've had my ups and downs, and I've certainly given him a run for his money, and he's always been there for me."
Federici played accordion on the wistful "4th Of July, Asbury Park (Sandy)" from Springsteen's second album, and his organ solo was a highlight of Springsteen's first top 10 hit, "Hungry Heart." His organ coda on the 9/11-inspired Springsteen song "You're Missing" provided one of the more heart-wrenching moments on "The Rising" in 2002.
In a band with larger-than-life characters such as saxophonist Clarence Clemons and bandana-wrapped guitarist "Little" Steven Van Zandt, Federici was content to play in his familiar position to the side of the stage. But his playing was as vital to Springsteen's live show as any instrument in the band.
Federici released a pair of solo albums that veered from the E Street sound and into soft jazz. Bandmates Nils Lofgren on guitar and Garry Tallent on bass joined Federici on his 1997 debut, "Flemington." In 2005, Federici released its follow-up, "Out of a Dream."
Federici had taken a leave of absence during the band's tour in November 2007 to pursue treatment for melanoma, and was temporarily replaced by veteran musician Charles Giordano.
At the time, Springsteen described Federici as "one of the pillars of our sound and has played beside me as a great friend for more than 40 years. We all eagerly await his healthy and speedy return."
Besides his work with Springsteen, Federici played on albums by an impressive roster of other artists: Van Zandt, Joan Armatrading, Graham Parker, Gary U.S. Bonds and Garland Jeffreys.
Sitting at my workbench in my comfortable little Hobbit hole.
-
CaboWabo
- Site Admin
- Posts: 10258
- Joined: Tue Dec 10, 2002 4:05 pm
- Location: The Adult Table
- Contact:
Harvey Korman died Thursday at age 81.
That guy was hilarious. I always laugh at him in the Mel Brooks movies.
(Harvey is the guy on your left)
That guy was hilarious. I always laugh at him in the Mel Brooks movies.
(Harvey is the guy on your left)
Dear Life Cereal, Where do you get off? Part of a balanced breakfast and delicious? Who do you think you are? By now you may have guessed I'm speaking ironically and have nothing but good things to say about what you do. Life cereal do not change a thing.
-
sidewinder
- bitProphet
- Posts: 3165
- Joined: Wed Apr 25, 2007 6:31 pm
- Location: Walmart
I loved it when he played straight man to Tim Conway...he usualy lost it and started laughing half way through...
[YouTube]http://www.youtube.com/watch?v=Q9T8i4Fk ... re=related[/YouTube]
[YouTube]http://www.youtube.com/watch?v=rCJTDsrcXEs[/YouTube]
[YouTube]http://www.youtube.com/watch?v=Q9T8i4Fk ... re=related[/YouTube]
[YouTube]http://www.youtube.com/watch?v=rCJTDsrcXEs[/YouTube]
The smallest minority on earth is the individual. Those who deny individual rights cannot claim to be defenders of minorities. - Ayn Rand
)-
BilboBaggins
- bitHobbit
- Posts: 1447
- Joined: Sun Jun 08, 2003 7:35 am
- Location: Bag End, Hobbiton, Shire, Middle Earth
- Contact:
Rock pioneer Bo Diddley dies at age 79
JACKSONVILLE, Fla. (AP) - Bo Diddley, a founding father of rock 'n' roll whose distinctive "shave and a haircut, two bits" rhythm and innovative guitar effects inspired legions of other musicians, died Monday after months of ill health. He was 79.
Diddley died of heart failure at his home in Archer, Fla., spokeswoman Susan Clary said. He had suffered a heart attack in August, three months after suffering a stroke while touring in Iowa. Doctors said the stroke affected his ability to speak, and he had returned to Florida to continue rehabilitation.
The legendary singer and performer, known for his homemade square guitar, dark glasses and black hat, was an inductee into the Rock and Roll Hall of Fame, had a star on Hollywood's Walk of Fame, and received a lifetime achievement award in 1999 at the Grammy Awards. In recent years he also played for the elder President Bush and President Clinton.
Diddley appreciated the honors he received, "but it didn't put no figures in my checkbook."
"If you ain't got no money, ain't nobody calls you honey," he quipped.
The name Bo Diddley came from other youngsters when he was growing up in Chicago, he said in a 1999 interview.
"I don't know where the kids got it, but the kids in grammar school gave me that name," he said, adding that he liked it so it became his stage name. Other times, he gave somewhat differing stories on where he got the name. Some experts believe a possible source for the name is a one-string instrument used in traditional blues music called a diddley bow.
His first single, "Bo Diddley," introduced record buyers in 1955 to his signature rhythm: bomp ba-bomp bomp, bomp bomp, often summarized as "shave and a haircut, two bits." The B side, "I'm a Man," with its slightly humorous take on macho pride, also became a rock standard.
The company that issued his early songs was Chess-Checkers records, the storied Chicago-based labels that also recorded Chuck Berry and other stars.
Howard Kramer, assistant curator of the Rock and Roll Hall of Fame in Cleveland, said in 2006 that Diddley's Chess recordings "stand among the best singular recordings of the 20th century."
Diddley's other major songs included, "Say Man,""You Can't Judge a Book by Its Cover,""Shave and a Haircut,""Uncle John,""Who Do You Love?" and "The Mule."
Diddley's influence was felt on both sides of the Atlantic. Buddy Holly borrowed the bomp ba-bomp bomp, bomp bomp rhythm for his song "Not Fade Away."
The Rolling Stones' bluesy remake of that Holly song gave them their first chart single in the United States, in 1964. The following year, another British band, the Yardbirds, had a Top 20 hit in the U.S. with their version of "I'm a Man."
Diddley was also one of the pioneers of the electric guitar, adding reverb and tremelo effects. He even rigged some of his guitars himself.
"He treats it like it was a drum, very rhythmic," E. Michael Harrington, professor of music theory and composition at Belmont University in Nashville, Tenn., said in 2006.
Many other artists, including the Who, Bruce Springsteen and Elvis Costello copied aspects of Diddley's style.
Growing up, Diddley said he had no musical idols, and he wasn't entirely pleased that others drew on his innovations.
"I don't like to copy anybody. Everybody tries to do what I do, update it," he said. "I don't have any idols I copied after."
"They copied everything I did, upgraded it, messed it up. It seems to me that nobody can come up with their own thing, they have to put a little bit of Bo Diddley there," he said.
Despite his success, Diddley claimed he only received a small portion of the money he made during his career. Partly as a result, he continued to tour and record music until his stroke. Between tours, he made his home near Gainesville in north Florida.
"Seventy ain't nothing but a damn number," he told The Associated Press in 1999. "I'm writing and creating new stuff and putting together new different things. Trying to stay out there and roll with the punches. I ain't quit yet."
Diddley, like other artists of his generations, was paid a flat fee for his recordings and said he received no royalty payments on record sales. He also said he was never paid for many of his performances.
"I am owed. I've never got paid," he said. "A dude with a pencil is worse than a cat with a machine gun."
In the early 1950s, Diddley said, disc jockeys called his type of music, "Jungle Music." It was Cleveland disc jockey Alan Freed who is credited with inventing the term "rock 'n' roll."
Diddley said Freed was talking about him, when he introduced him, saying, "Here is a man with an original sound, who is going to rock and roll you right out of your seat."
Diddley won attention from a new generation in 1989 when he took part in the "Bo Knows" ad campaign for Nike, built around football and baseball star Bo Jackson. Commenting on Jackson's guitar skills, Diddley turned to the camera and said, "He don't know Diddley."
"I never could figure out what it had to do with shoes, but it worked," Diddley said. "I got into a lot of new front rooms on the tube."
Born as Ellas Bates on Dec. 30, 1928, in McComb, Miss., Diddley was later adopted by his mother's cousin and took on the name Ellis McDaniel, which his wife always called him.
When he was 5, his family moved to Chicago, where he learned the violin at the Ebenezer Baptist Church. He learned guitar at 10 and entertained passers-by on street corners.
By his early teens, Diddley was playing Chicago's Maxwell Street.
"I came out of school and made something out of myself. I am known all over the globe, all over the world. There are guys who have done a lot of things that don't have the same impact that I had," he said.
JACKSONVILLE, Fla. (AP) - Bo Diddley, a founding father of rock 'n' roll whose distinctive "shave and a haircut, two bits" rhythm and innovative guitar effects inspired legions of other musicians, died Monday after months of ill health. He was 79.
Diddley died of heart failure at his home in Archer, Fla., spokeswoman Susan Clary said. He had suffered a heart attack in August, three months after suffering a stroke while touring in Iowa. Doctors said the stroke affected his ability to speak, and he had returned to Florida to continue rehabilitation.
The legendary singer and performer, known for his homemade square guitar, dark glasses and black hat, was an inductee into the Rock and Roll Hall of Fame, had a star on Hollywood's Walk of Fame, and received a lifetime achievement award in 1999 at the Grammy Awards. In recent years he also played for the elder President Bush and President Clinton.
Diddley appreciated the honors he received, "but it didn't put no figures in my checkbook."
"If you ain't got no money, ain't nobody calls you honey," he quipped.
The name Bo Diddley came from other youngsters when he was growing up in Chicago, he said in a 1999 interview.
"I don't know where the kids got it, but the kids in grammar school gave me that name," he said, adding that he liked it so it became his stage name. Other times, he gave somewhat differing stories on where he got the name. Some experts believe a possible source for the name is a one-string instrument used in traditional blues music called a diddley bow.
His first single, "Bo Diddley," introduced record buyers in 1955 to his signature rhythm: bomp ba-bomp bomp, bomp bomp, often summarized as "shave and a haircut, two bits." The B side, "I'm a Man," with its slightly humorous take on macho pride, also became a rock standard.
The company that issued his early songs was Chess-Checkers records, the storied Chicago-based labels that also recorded Chuck Berry and other stars.
Howard Kramer, assistant curator of the Rock and Roll Hall of Fame in Cleveland, said in 2006 that Diddley's Chess recordings "stand among the best singular recordings of the 20th century."
Diddley's other major songs included, "Say Man,""You Can't Judge a Book by Its Cover,""Shave and a Haircut,""Uncle John,""Who Do You Love?" and "The Mule."
Diddley's influence was felt on both sides of the Atlantic. Buddy Holly borrowed the bomp ba-bomp bomp, bomp bomp rhythm for his song "Not Fade Away."
The Rolling Stones' bluesy remake of that Holly song gave them their first chart single in the United States, in 1964. The following year, another British band, the Yardbirds, had a Top 20 hit in the U.S. with their version of "I'm a Man."
Diddley was also one of the pioneers of the electric guitar, adding reverb and tremelo effects. He even rigged some of his guitars himself.
"He treats it like it was a drum, very rhythmic," E. Michael Harrington, professor of music theory and composition at Belmont University in Nashville, Tenn., said in 2006.
Many other artists, including the Who, Bruce Springsteen and Elvis Costello copied aspects of Diddley's style.
Growing up, Diddley said he had no musical idols, and he wasn't entirely pleased that others drew on his innovations.
"I don't like to copy anybody. Everybody tries to do what I do, update it," he said. "I don't have any idols I copied after."
"They copied everything I did, upgraded it, messed it up. It seems to me that nobody can come up with their own thing, they have to put a little bit of Bo Diddley there," he said.
Despite his success, Diddley claimed he only received a small portion of the money he made during his career. Partly as a result, he continued to tour and record music until his stroke. Between tours, he made his home near Gainesville in north Florida.
"Seventy ain't nothing but a damn number," he told The Associated Press in 1999. "I'm writing and creating new stuff and putting together new different things. Trying to stay out there and roll with the punches. I ain't quit yet."
Diddley, like other artists of his generations, was paid a flat fee for his recordings and said he received no royalty payments on record sales. He also said he was never paid for many of his performances.
"I am owed. I've never got paid," he said. "A dude with a pencil is worse than a cat with a machine gun."
In the early 1950s, Diddley said, disc jockeys called his type of music, "Jungle Music." It was Cleveland disc jockey Alan Freed who is credited with inventing the term "rock 'n' roll."
Diddley said Freed was talking about him, when he introduced him, saying, "Here is a man with an original sound, who is going to rock and roll you right out of your seat."
Diddley won attention from a new generation in 1989 when he took part in the "Bo Knows" ad campaign for Nike, built around football and baseball star Bo Jackson. Commenting on Jackson's guitar skills, Diddley turned to the camera and said, "He don't know Diddley."
"I never could figure out what it had to do with shoes, but it worked," Diddley said. "I got into a lot of new front rooms on the tube."
Born as Ellas Bates on Dec. 30, 1928, in McComb, Miss., Diddley was later adopted by his mother's cousin and took on the name Ellis McDaniel, which his wife always called him.
When he was 5, his family moved to Chicago, where he learned the violin at the Ebenezer Baptist Church. He learned guitar at 10 and entertained passers-by on street corners.
By his early teens, Diddley was playing Chicago's Maxwell Street.
"I came out of school and made something out of myself. I am known all over the globe, all over the world. There are guys who have done a lot of things that don't have the same impact that I had," he said.
Sitting at my workbench in my comfortable little Hobbit hole.
-
sidewinder
- bitProphet
- Posts: 3165
- Joined: Wed Apr 25, 2007 6:31 pm
- Location: Walmart
You must get Yahoo news...I was about to post the same story. I liked Bo but I can't say I was enough of a fan to actually own any of his music. Still, it sad to see an icon pass.
The smallest minority on earth is the individual. Those who deny individual rights cannot claim to be defenders of minorities. - Ayn Rand
-
BilboBaggins
- bitHobbit
- Posts: 1447
- Joined: Sun Jun 08, 2003 7:35 am
- Location: Bag End, Hobbiton, Shire, Middle Earth
- Contact:
Nope, got it on another news site.sidewinder wrote:You must get Yahoo news...I was about to post the same story.
I listened to Robert Johnson more than Bo.sidewinder wrote:I liked Bo but I can't say I was enough of a fan to actually own any of his music. Still, it sad to see an icon pass.
Sitting at my workbench in my comfortable little Hobbit hole.
-
SuperFly
- bitPimp
- Posts: 2760
- Joined: Mon May 05, 2003 6:37 pm
- Location: nationwide
I gave Bo a ride to the airport once when he played at the Jackson County fair in southern Oregon. The restaurant I worked at had a hotel attached, and he stayed there. I was really into early rock and blues at the time, so it was pretty cool. He signed the back of one of my guitars that I sold a while back, and the punk that bought it didn't know who he was.
-
payaso
- bitPimp
- Posts: 4293
- Joined: Mon Dec 16, 2002 1:10 pm
- Location: on vacation in Vaporville
- Contact:
SuperFly wrote:I gave Bo a ride to the airport once when he played at the Jackson County fair in southern Oregon.
He signed the back of one of my guitars that I sold a while back
Why on earth would you do that???
Liked his music, but never saw him play, but I DID get a chance to see Buddy Miles and Muddy "Mississippi" Waters, play at this little dive of a bar in STL.
Maybe 50 60 peeps there.
silla
payaso...... 
"Imagination is everything. It's the preview to lifes coming attractions" -Albert Einstein
"Imagination is everything. It's the preview to lifes coming attractions" -Albert Einstein
-
sidewinder
- bitProphet
- Posts: 3165
- Joined: Wed Apr 25, 2007 6:31 pm
- Location: Walmart
Fredric J. Baur,This is of course sad, but kind of funny too.
Ashes of Pringles can designer buried in his work Mon Jun 2, 12:19 PM ET
The man who designed the Pringles potato crisp packaging system was so proud of his accomplishment that a portion of his ashes has been buried in one of the iconic cans.
Fredric J. Baur, of Cincinnati, died May 4 at Vitas Hospice in Cincinnati, his family said. He was 89.
Baur's children said they honored his request to bury him in one of the cans by placing part of his cremated remains in a Pringles container in his grave in suburban Springfield Township. The rest of his remains were placed in an urn buried along with the can, with some placed in another urn and given to a grandson, said Baur's daughter, Linda Baur of Diamondhead, Miss.
Baur requested the burial arrangement because he was proud of his design of the Pringles container, a son, Lawrence Baur of Stevensville, Mich., said Monday.
Baur was an organic chemist and food storage technician who specialized in research and development and quality control for Cincinnati-based Procter & Gamble Co.
Baur filed for a patent for the tubular Pringles container and for the method of packaging the curved, stacked chips in the container in 1966, and it was granted in 1970, P&G archivist Ed Rider said.
Baur retired from P&G in the early 1980s.
Copyright © 2008 The Associated Press. All rights reserved. The information contained in the AP News report may not be published, broadcast, rewritten or redistributed without the prior written authority of The Associated Press.
Copyright © 2008 Yahoo All rights reserved.Copyright/IP Policy |Terms of Service |Help |Feedback
NOTICE: We collect personal information on this site. To learn more about how we use your information, see our» Privacy Policy
Ashes of Pringles can designer buried in his work Mon Jun 2, 12:19 PM ET
The man who designed the Pringles potato crisp packaging system was so proud of his accomplishment that a portion of his ashes has been buried in one of the iconic cans.
Fredric J. Baur, of Cincinnati, died May 4 at Vitas Hospice in Cincinnati, his family said. He was 89.
Baur's children said they honored his request to bury him in one of the cans by placing part of his cremated remains in a Pringles container in his grave in suburban Springfield Township. The rest of his remains were placed in an urn buried along with the can, with some placed in another urn and given to a grandson, said Baur's daughter, Linda Baur of Diamondhead, Miss.
Baur requested the burial arrangement because he was proud of his design of the Pringles container, a son, Lawrence Baur of Stevensville, Mich., said Monday.
Baur was an organic chemist and food storage technician who specialized in research and development and quality control for Cincinnati-based Procter & Gamble Co.
Baur filed for a patent for the tubular Pringles container and for the method of packaging the curved, stacked chips in the container in 1966, and it was granted in 1970, P&G archivist Ed Rider said.
Baur retired from P&G in the early 1980s.
Copyright © 2008 The Associated Press. All rights reserved. The information contained in the AP News report may not be published, broadcast, rewritten or redistributed without the prior written authority of The Associated Press.
Copyright © 2008 Yahoo All rights reserved.Copyright/IP Policy |Terms of Service |Help |Feedback
NOTICE: We collect personal information on this site. To learn more about how we use your information, see our» Privacy Policy
The smallest minority on earth is the individual. Those who deny individual rights cannot claim to be defenders of minorities. - Ayn Rand